auteuse theory: a blog on women's cinema
Thoughts about films made by women, from the 1890s through to the present day
Wednesday, 24 June 2015
‘Solide mais pas Solitaire’: Female Solidarity and Feminist Empowerment in Girlhood (Bande de Filles, Céline Sciamma, 2014)
›
DESPOINA MANTZIARI C é line Sciamma’s latest film, introduced at the Cannes Film Festival 2014 during the Directors’ Fortnight, has...
7 comments:
Sunday, 26 April 2015
Tied Up In Knots: In Defence of Fifty Shades of Grey
›
Richard McCulloch (Regent’s University London) After several weeks of critical derision , rowdy cinemagoers , and one bizarrely con...
2 comments:
Monday, 9 February 2015
Le Petit Prince a dit (Christine Pascal, 1992)
›
NEIL SINYARD When I first saw Christine Pascal’s Le Petit Prince a dit (1992) some twenty years ago at my local arts cinema, I was so ...
Monday, 26 January 2015
Marleen Gorris and Antonia's Line (1995)
›
NEIL SINYARD Antonia’s Line won the Oscar for the best foreign language film of 1995, the first film by a female director ever...
‹
›
Home
View web version
