auteuse theory: a blog on women's cinema

Thoughts about films made by women, from the 1890s through to the present day

Wednesday, 9 October 2013

WOMEN ON WOMEN

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CATARINA NEVES RICCI After reading the manifesto of French feminist collective La Barbe on regarding the inexistence of women direc...
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Friday, 16 August 2013

Wadjda (Haifaa Al Mansour, 2013)

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EYLEM ATAKAV @eylematakav  The first ever feature film entirely shot in Saudi Arabia, where there are n...
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Thursday, 25 July 2013

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CALL FOR PAPERS Doing Women’s Film and Television History The Second International Conference of the Women’s Film and Televi...
Tuesday, 16 July 2013

Continuity Grrl

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MELANIE WILLIAMS   Angela Allen doing continuity on The Misfits (1961). Picture courtesy of the excellent website http://www.sc...
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Thursday, 11 July 2013

On Lisa Cholodenko and 'The Kids are All Right'

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ANNE LOVEDAY  Watching Lisa Cholodenko’s first feature film, High Art , it is easy to see why it became a queer cult fil...
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Monday, 1 July 2013

"Spexism" and the Decline of Women-Penned Specs in Hollywood

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WENDY JANE COHEN Recently my colleagues at The Black List, with the help of Susana Orozoco , released a visual analysis of spec script s...
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Wednesday, 15 May 2013

Latin American Women Filmmakers on the Global Stage, University of Portsmouth, 10 May 2013

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NIAMH THORNTON   Since the 1970s and 1980s with the arrival on the international scene of such notable filmmakers as Sara Gómez (...
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Eylem Atakav and Melanie Williams
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