auteuse theory: a blog on women's cinema

Thoughts about films made by women, from the 1890s through to the present day

Wednesday, 9 May 2012

Open Hearts (Susanne Bier, 2002)

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DESPOINA MANTZIARI Open Hearts is Susanne Bier's take on the Dogme 95 movement coming at a time in her career when she had alre...
Thursday, 3 May 2012

To be a Woman (Jill Craigie, 1951)

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MELANIE WILLIAMS One of the most interesting of filmmakers to emerge from Britain’s rich tradition of documentary, Jill Craigie , is a...
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Wednesday, 2 May 2012

An Interview with Julia Solomonoff on "The Last Summer of La Boyita"

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Deborah Shaw and Debbie Martin El ultimo verano de Boyita / The Last Summer of Boyita is a film directed by the Argentine director ...
Monday, 23 April 2012

“And the time has come!” The Hurt Locker: A Kathryn Bigelow Film

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Yvonne Tasker and Eylem Atakav (extract taken from ‘ The Hurt Locker : Male Intimacy, Violence and the Iraq War Movie’, Sine/Cin...
Monday, 16 April 2012

Women's Library Under Threat – Campaign and Petition

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Many of you will have heard that The Women's Library in London is facing closure and transfer of its collections, or being reduced to o...

Exciting season of British women's films at BFI Southbank, London

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The British Film Institute, in association with Bird's Eye View, is running a season of films by contemporary British women filmmakers i...

Bhaji on the Beach (Gurinder Chadha, 1993)

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 Melanie Williams Bhaji on the Beach tells the story of a daytrip to Blackpool undertaken by the members of a Birmingham Asian Women’...
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